The Fall of the House of Usher
music for Jean Epstein’s 1928 classic silent horror movie
The Fall of the House of Usher (France, 1928) was Jean Epstein’s first film with his own production group and probably his best-known work. With Luis Buñuel as assistant director, Epstein fashioned a film in which the editing and rhythm imposed by the slow motion, super-impositions, travelling shots and a mobile camera contribute to the film’s unity. The quality of the photography evokes comparison with the greatest masterpieces of the German cinema.
Duration: 70 minutes
Stills from the film
There are three different orchestrations
1: Soprano saxophone and string quartet
First performed by the ensemble Entr’acte at Chapter Cinema 1, Cardiff on 26 January 2002 with Simon Stewart (soprano saxophone), Jonathan Burnett (violin), Nicolas Ramirez (violin), Rachel Robson (viola), Sharon McKinley (cello)
Score
Score and parts also available at the International Music Score Library Project (IMSLP)
Performances
26.01.02 | CARDIFF | Chapter Cinema |
01.02.02 | HARLECH | Theatr Ardudwy |
02.02.02 | FISHGUARD | Theatr Gwaun |
05.02.02 | LAMPETER | University |
08.02.02 | ABERGAVENNY | Melville Theatre, Drama Centre |
16.11.19 | BRASOV | Vibrate Festival |
09.09.22 | BUDAPEST | Magyar Zene Háza (House of Music Hungary) |
Tour of Wales in 2002 produced by Sound Affairs with the financial support of: Holst Foundation, Musicians’ Union, HSBC Bank, Sgrin Media and the PRS Foundation
Review
“When you watch silent movies with the right live music, you realise that it wasn’t simpy the novelty of moving pictures that brought people into the cinema in their millions. There was real drama and life in these works. Barber works with quintet Entr’acte to feed off the film’s manic obsessions and ratchet up the emotions…Images and music combine to riveting effect.”
John Harrison, The Western Mail, 31 January 2002
2: Wind Orchestra
picc; 2 fl; 2 ob; 3 cl; b cl; 2 a sax; t sax; b sax; 2 bsn; cbsn
3 tpt; 4 hn; 2 tbn; b tbn; 2 euph; tba
timp; 3 percussion
db
Commissioned by Ty Cerdd
The Fall of the House of Usher (France 1928) is probably Jean Epstein’s best-known work in which the quality of the photography evokes comparison with the greatest masterpieces of the German cinema.For this new interpretation, Charlie Barber’s score takes as its starting point musical sketches by Debussy for an uncompleted opera – adding a further twist to the foreboding atmosphere of this classic of early cinema.
First performance at Lyric Theatre, Carmarthen on 13 April 2012 by the National Youth Wind Orchestra of Wales and conducted by Sean O’Neill
Performances
13.04.12 | CARMARTHEN | Lyric Theatre |
14.04.12 | NEWPORT | The Riverfront |
15.04.12 | NEATH | Gwyn Hall |
Video
Ty Cerdd interview (April 2012)
3: Chamber Orchestra
1 fl; 1 ob; 1 b cl; 1 bsn/cbsn
1 hn; 1 tpt; 1 tbn; 1 tba
1 perc
3 vln; 2 vla; 1 vcl; db
First performed by Sound Affairs at Lakeside Arts Centre, Nottingham on 22 October 2014
Musicians: Pedro Lopez Campos (flute), Michele Batani (oboe), Tom Howells (bass clarinet), Bartosz Kwasecki (contrabassoon), Jason Owen Lewis (trumpet), Hugh Sisley (horn), Stephanie Dyer (trombone), Rob Graham-White (tuba), Michael Clark (percussion), Vlad Maistorovici (violin), Christiana Mavron (violin), Javier Garcia Aranda (violin), Niamh Ferris (viola), Alison D’Souza (viola), Alberto Casadei (cello), Ashley John Long (double bass)
Technical Manager: Alex Russell
Technical support: Steven Donoghue
Photography: Toby Farrow
Marketing: Alice Baynham
Performances
22.10.14 | NOTTINGHAM | Lakeside Arts Centre |
23.10.14 | CARDIFF | Wales Millennium Centre |
24.10.14 | ABERYSTWYTH | Arts Centre |
28.10.14 | MALVERN | Theatres |
30.10.14 | MANCHESTER | Royal Northern College of Music |
31.10.14 | BRECON | Theatr Brycheiniog |
03.11.14 | LIVERPOOL | Capstone Theatre, Hope University |
04.11.14 | CAERNARFON | Galeri |
Produced by Sound Affairs with the financial support of: Arts Council of England, Arts Council of Wales, Foyle Foundation, Hinrichsen Foundation, Ashley Family Foundation, Gibbs Charitable Trust, Margaret Davies Charity
Reviews
Wales Arts Review (Steph Power)