LUDWIG (2019)
for piano quintet
pno, 2 vln, vla, vcl
Duration: c. 11 minutes
1. Allegro con brio
2. Adagio sostenuto: delicatissimamente
3. Allegro vivace
The opening section, Allegro con brio, is a reworking of the first movement, much compressed, of Beethoven’s Symphony No 7 in A major, Op. 92. Beethoven’s long ascending scales and low sustained pedal notes have been reorganised whilst the lively dance-like rhythms gain extra vibrancy through adopting Latin American colours.
The second movement, Adagio sostenuto: delicatissimamente, takes a few bars from the opening of Beethoven’s Piano sonata No 14 in C-sharp minor – the so-called “Moonlight” sonata. The celebrated quaver triplet motif is transformed into an interlocking pattern between woodwind instruments followed by a version for strings.
The final movement, Allegro vivace, is based on a few passages from Beethoven’s Fidelio Overture. Beginning with a quiet subterranean intensity, the music develops through sudden dramatic episodes; the unresolved harmony of the original driving it constantly forward in search of a sense of resolution.
First performed on 17 November 2019 at Cardiff University Concert Hall with Giordano Ferla (piano), Christiana Mavron (violin), Rachael Elliot (violin), Niamh Aston (viola), Nicola Thomas (cello)
Score
Images
Performances
17.11.19 | CARDIFF | University Concert Hall |
26.07.21 | WORCESTER | Three Choirs Festival |
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