Salomé

 Salomé

Music for the 1922 silent film starring Alla Nazimova

percussion quartet, boy treble, choir (SATB), timpani, contrabass

Percussion 1: Cymbal (and stand); Metal pipe/Brake drum; Tibetan singing bowl; Sistra; Triangle (small); Maracas (small); Woodlblock; Djembe; Floor Tom-tom (small_
Percussion 2: Cymbal (and stand); Metal pipe/Brake drum; Tibetan singing bowl; Sistra; Triangle (large); Maracas (large); Castanets; Bongos; Floor Tom-tom (large)
Percussion 3: Metal pipe/Brake drum; Tam-tam (large); Tambourine; Claves; 4 Concert Tom-toms; Orchestral Bass Drum
Percussion 4: Metal pipe/Brake drum; Tam-tam (large); Tambourine; 2 Cowbells; Cabasa; Congas; Bass Drum (on side)

Duration: 73 minutes

Singers: Rhiannon Llewellyn (soprano); Gareth Treseder (tenor); Kelvin Thomas (bass); Sianed Jones (vocal improvisations)

For the film: Charles Bryant (Director); Charles Van Enger (Cinematography); Natacha Rambova (Art Direction / Costume)

Film cast: Mitchell Lewis (Herod); Alla Nazimova (Salomé); Rose Dione (Herodias); Earl Schenk (Narraboth); Nigel De brulier (Jokanaan); Arthur Jasmine (Page of Herodias)

First performance at New Theatre Royal, Portsmouth on 10 October 2009
with percussionists Nick Baron, James Hulme, Alun Hathaway, Dave Danford

Score

Score also available at the International Music Score Library Project (IMSLP)

Background

Opulent, extravagant, decadent – Salomé is a visual feast furnished by lavish art nouveau designs inspired by artist Aubrey Beardsley and an unforgettable performance by the tempestuous actress Alla Nazimova in the title role.

Inspired by traditional Arabic ensembles, Charlie Barber’s percussion score makes an equally dramatic impact.  Performed by musicians playing from two towers flanking each side of the giant silver screen, this is a riveting blend of music and spectacle – quite unlike anything else.

“a hothouse orchid of decadent passion” – Photoplay Magazine 1923

Starring the Russian-born actress Alla Nazimova, Salomé is a rarely seen artwork of film history adapted from the controversial Oscar Wilde play with an abundance of sumptuously fantastic visuals.Made in 1923, Salomé loosely follows the biblical story of King Herod and his desire for his young stepdaughter. It is Salomé’s desire for Jokanaan (John the Baptist) that causes her to dance before Herod….Inspired by the sounds of traditional Arabian ensembles, Charlie Barber’s score is performed by four percussionists against a backdrop of pre-recorded vocal settings of psalms sung in Latin and Hebrew.

Further information

Background details about the music can be found here

Percussion list can be accessed here

Technical specifications for the performance here

Images

Video

Performances

10.10.09PORTSMOUTHNew Theatre Royal
14.10.09MALVERNForum Theatre
17,10.09LONDONDrill Hall
19.10.09MILTON KEYNESThe Stables
21.10.09PONTARDAWEArts Centre
22.10.09PWLLHELINeuadd Dwyfor
23.10.09HOLYHEADUcheldre Centre
27.10.09BROMSGROVEArtrix
28.10.09LIVERPOOLUnity Theatre
29.10.09CHESTERChristChurch
30.10.09BRISTOLSt Georges
03.11.09NEWPORTRiverfront
07.11.09CARMARTHENLyric Theatre
12.11.09SPALDINGSouth Holland Centre
13.11.09HALESWORTHThe Cut
14.11.09COLCHESTERLakeside Theatre
28.10.11TEWKESBURYRoses Theatre
29.10.11MANCHESTERRoyal Northern College of Music
24.01.12MOLDClwyd Theatr Cymru
25.01.12MOLDClwyd Theatr Cymru
26.01.12ABERGAVENNYBorough Theatre
27.01.12CARDIGANTheatr Mwldan
09.02.12LONDONSouthbank Centre, Purcell Room
16.02.12LANCASTERNuffield Theatre
01.03.12SWANSEATaliesin Arts Centre
03.03.12BRAYMermaid Arts Centre, Ireland
05.03.12KILKENNYWatergate Theatre, Ireland
07.03.12SLIGOHawkes Well Theatre, Ireland
08.03.12NEWBRIDGERiverbank, Ireland
11.03.12TRALEESiamsa Tire, Ireland
03.04.12CARDIFFSherman Cymru
06.07.12CHELTENHAMMusic Festival
09.07.12LICHFIELDFestival
21.07.12BUXTONFestival
07.03.18LIVERPOOLCornerstone Festival
13.03.18AMSTERDAMMuziekgebouw
08.11.19SOUTHAMPTONTurner Sims Concert Hall
16.11.19CARDIFFWales Millennium Centre

Programme

Press


The Guardian, 3 November 2009

South Wales Argus, 4 November 2009

WalesOnline, 5 April 2012

Seen and Heard International review

Lichfield Live review

Manchester Pride interview

Credits

Produced by Sound Affairs with the financial support of: Arts Council of England, Arts Council of Wales, Colwinston Charitable Trust, Esmée Fairbairn Foundation, Oakdale Trust


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